Creative Space

“So you see, imagination needs moodling – long, inefficient, happy idling, dawdling and puttering.”

Brenda Ueland

Timna Spiral Hill Approach

In most endeavors, the main differentiator is creativity. Creativity requires that we — at least once in a while — no really, please — can we just — yes, there you go — relax.

Timna Mushroom Sandstone

When to relax?

  • When we’re doing the same thing and getting tired of it.
  • When we get tired of doing that thing before even starting it.
  • When we notice that too many other people are doing that thing now and doing it in an almost formulaic manner.

We may notice that doing that thing — that thing which once seemed meaningful and special — suddenly seems rote and ordinary. The groove is so deeply ingrained, so predetermined and obvious, that we cannot tolerate moving along within it.

The only thing worse than being caught in your own rut is to be caught in someone else’s rut.

Timna Copper Mine Shaft

When we notice that rut, it’s a clue that it’s time for us to put down our pen/pencil/paintbrush/pixel-pushing device and go for a walk. Off course, of course.

Take a leisurely stroll through open space and unprogrammed time.

Wander in the wilderness and glance across at other seekers along the way.

Timna Voyeurs and Poseurs

Photo du Jour: Rays

Rays

“Sunshine is delicious, rain is refreshing, wind braces us up, snow is exhilarating; there is really no such thing as bad weather, only different kinds of good weather.”
John Ruskin

Photo essay: Sublime Sublimation

01 - twelve foot high snowbanks

 

Sublime (adj.) 1580s, “expressing lofty ideas in an elevated manner,” from Middle French sublime (15c.), or directly from Latin sublimis “uplifted, high, borne aloft, lofty, exalted, eminent, distinguished,” possibly originally “sloping up to the lintel,” from sub “up to” + limen “lintel, threshold, sill” (see limit (n.)).The sublime (n.) “the sublime part of anything, that which is stately or imposing” is from 1670s.

– from the Online Etymology Dictionary

01a - snow strata

 

Giant snowbanks pile up with geological strata of precipitation and street grime. Their surfaces evaporate directly into thin air, leaving behind fantastic fractal landscapes.

02 - buried fenceposts

05 - mount sublime

Freeze. Thaw. Plow. Evaporate. Melt. Shovel. Freeze. Snow. Evaporate again.

The sun carves sculptures out of ice and air.

03 - iceshroom

04 - sublime sculpture

06 - crystal layers

“Sublimation is part of the royal art where the true gold is made. (…) It is not a voluntary and forcible channeling of instinct into a spurious field of application, but an alchymical transformation for which fire and prima materia are needed.”

– Carl Jung

07 - crystal contrast

08 - snow yinyang

The snow and ice crystals capture dirt and then evaporate, forming a crusty layer of grit that compresses back down into the earth.  As we live and breathe, so do we compress our experiences and impulses into acts of creation.

09 - snow grit

10 - dirty snow lungs 1

11 - dirty air filter

Some of these snowbanks are like dirty air filters, overused through a long winter.

12 - dirty snow lungs 2

13 - groundmelt

It’s the pure stuff that sublimates. The rest of it lingers and melts into oil slick.

13a - dirtmelt

14 - parkinglot snow

Come on, it’s time to put this winter away, already.

15 - sublime sidewalk

Darkness begone. Spring forward into the light.

16 - sublimated shadow

Photo essay: Breaking the Dam

1-IceDam-Roof-Gutter-Mansard-Dormer

Underneath the dreamy pleasure of sunny freeze-thaw icicles trimming a snow-laden roof, there lays the nightmarish pain of ice dams and massive interior water damage.

2-Ice-Damage

Sharp, sparkling rows of glass stalactites may look ornate and perfect, but to be managed well, they require a firm hand. The dam must be broken.

3-1-Icicle-Trim-Strip

3-2-Ice-Damage-Strip

Dam –  n. – A large reservoir of stuff trapped inside a person’s psyche: ideas, energy, and aspirations; concerns, criteria and conditions; wants, desires and passions. Normally these feed in and flow out reliably. However from time to time the floodgate gets frozen shut and a self-reinforcing build-up occurs. As the blockage persists, intervention becomes increasingly necessary.

4-Ice-Dam-Corner

The first rule of being an Ice Dam Master (or Mistress):  At first, you will fail.  You will not completely subdue the ice dam. You will also cause physical damage to the building and possibly to yourself as the intervener.

6-Hammer-Dont-Hurt-Em

This does not diminish you – in fact it provides you with the starting point of your credibility. Know that the vast majority of people won’t even step up and try their hand. They’ll call you crazy, but pay them no heed. The title ‘Master’ is one that is continually earned, continually improved upon.

5-Ice-Hammer

There is a difference between being ‘dominant’ and being ‘domineering.’   The icy core of confidence is a deep sense of humility and fearlessness. True confidence is a big part of that difference.

There is also the critical difference of having compassion and a purpose that is greater than yourself. A compassionate, purposeful focus on others makes (almost) all the difference.

8-Hammered-Ice-Dam

As you sculpt the ice and strip away its unnecessary blockages,

know that it does those things for you, too.

9-Ice-Dan

Linking Gardner to McLuhan — Extending Ourselves via Muscle Memory

danspira:

Starting the week off with positiv-e-motion and mo-mentum…

Originally posted on Dan Spira:

In his 1964 classic, Understanding Media, Marshall McLuhan described the wheel as an extension of the foot,  the arrow as an extension of the hand and arm, and electronic technology as an extension of the central nervous system. 

In defining what he calls “bodily-kinesthetic intelligence,” Howard Gardner (1983) described the ability of handling objects skillfully and controlling one’s body movements.  A person with this “intelligence” will have good hand-eye coordination and fine-motor control. They will also have a strong sense of the space around them (in terms of volumes of air and objects placed within those volumes) and well as a strong sense of timing or rhythm.

Putting bodies in motion
‘Cause I got the notion
Like Roy Cormier
With the coconut lotion

The sound of the music
Making you insane
You can’t explain to people
This type of mind frame

   – Beastie Boys, Body Movin’

Danny MacAskill (mac-a-skill?) of Scotland proves that…

View original 293 more words

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